Superman Drops His Drawers for the New Movie

October 9th, 2011

What is so hard about getting the Superman costume right? Nothing, other than getting it wrong is apparently a whole lot easier.  It’s either that or the director, in this case Zack Snyder, has a phobia that some directors contract when having to create a movie based on a costumed comic book hero.

It’s astounding to me that when Snyder was handed the most iconic comic book character of them all, the one who defined what a superhero was, the director sweated bullets trying to “cool up” the costume.

Heaven knows by swapping the traditional briefs for what appears to be a brass bellybutton, piping everywhere like a 1950s sci-fi movie space suit and an Aquaman fish scale textured fabric, the costume is just so much cooler. Um yeah.

I can’t wait to find out who made it. I’m not talking about the movie’s costume designer, I mean where did Kal-El get this outfit? Maybe Lara, his biological mother made the costume for a change. I wouldn’t mind that, but I see no reason she wouldn’t give him the famous briefs since she gave him everything else. In fact it might work better as an alien concept. Don’t ask if I’m being sarcastic here because I’m not sure, but I’m willing to bet real money that those boots are just vacuum-formed onto the rest of that super-aqua suit.

Then again they got rid of Batman’s briefs with varying degrees of success. How can we forget Clooney’s codpiece in Batman and Robin? Now he has some kind of black desert arroyo overlay where Nomex has gone before. The bat suit was explained to a geek overkill degree in the Christian Bale movies.

But let’s be brutally honest. If Batman never existed, yet a guy dressed in a black costume with what appears to be a peek-a-boo bra on  his impressive pecs, a cape, a little gold belt and some kind of pointed-eared mask walked into your neighborhood, he’d not only be arrested, he’d become a viral video favorite for a long time, but not in a good way.

The truth is we accept the costume because we already know Batman and we accept Superman’s traditional costume for the same reason.

However Batman’s bloated cracked costume does avoid one pitfall.  The ballet crotch!

Was Snyder really afraid the traditional briefs would suddenly, after 70 years, cause belly laughs, but this bulge with the curious button above it would not?

It’s almost like the piping and weird designs on the costume are there simply to draw attention to Supe’s package.

It can’t even be argued that the new comic book look is responsible for Snyder’s choice because for one thing Superman is still wearing briefs. They’re blue and have no contrast to the rest of the costume, although they seem to have the same texture/pattern. Either that or he puts on lower tights and then has a one-piece he fits over them.

It’s hard to tell with his red belt in the way and I’m not even going to pretend to understand what is coming up through the neck piece. It looks kind of like he’s wearing pajamas under his costume. He’s younger in this retelling so maybe he’s up past his bedtime.

Seriously, let me dig my tongue out of my cheek and just bring this full circle to the Bizarro comic strip at the start of my diatribe. One reason it’s so funny is because Superman isn’t, and never was meant to be fashionable, or trendy. He’s just meant to be … Superman. That includes the briefs.

Smallville Season 9 Report Card

July 31st, 2010

You may recall last year’s report card began with a solid “B” but turned into a generous “D” because of Lana Lang’s embarrassing mid-season “super” farewell arc. It could’ve dropped to an “F” if I’d graded the entire season, which included Chloe running off with a serial killer who later killed Jimmy Olsen, who was retconned to “Henry” Olsen. To be fair there were good episodes after the mid-season point last year, but they were so overshadowed by the truly bad that it scarcely mattered and that’s why I decided to wait until the season was completely over this year before issuing a report card.

I’m happy to report Season 9 had the guts to avoid the huge regression traps Smallville writers have always fallen into that have chronically destroyed the momentum in the latter half of the season. I’m sure some things were still changed when they found out they were renewed, and what some have called “fan pandering” resulted in other changes, but on the whole this season Clark was allowed to advance ever closer to his birthright and his destiny with Lois by his side.

Being the Hero

Clark Kent began the season on shaky ground, but that’s not surprising considering that’s where he ended in last year’s finale. After Lois vanished and Jimmy was killed, Clark renounced his human ties and went full on Kryptonian believing purging his emotions would make him a better hero. In truth it was his way of numbing his guilt over Jimmy’s death and the pain of losing Lois.

Clark began training in all things Kryptonian at the Fortress of Solitude. He also created a black ensemble which included his family crest, i.e. the Superman shield. He even burned the emblem onto walls at places where he’d made rescues or taken down bad guys in hopes his calling card would serve as a symbol of hope and a reminder that he was watching over the city.

However, his self-imposed exile ended abruptly when Lois Lane mysteriously reappeared. Clark not only returned to his human life, but he began to pursue Lois romantically. He also reestablished his connection to Lois as the Blur with his phone calls.

On some level he knew he shouldn’t, but on another he discovered a whole new side to Lois that, as he confessed to his mother, made him fall even deeper for her.

Supporting the Hero

Lois returned with a fragmented memory of an apocalyptic future (hey, it’s always something), which included flashes of her and Clark making passionate love to each other. It’s hard to say if that imagery made her more amenable to the idea of dating Clark, but by mid-season they had shared several dates.

At the same time, as mentioned, she and the Blur reestablished their phone-on-phone clandestine relationship, but her feelings for him were evolving. She, like the Lois Lanes before her, became his champion and public defender. Never blindly, but always passionately.

The Justice Society of America was dragged out of retirement to defend themselves against a villain who was systematically murdering their members. The introduction of the JSA boosted Smallville’s comic book currency quite a bit.

And who’d have thunk it? The Wonder Twins, perhaps the least respected super duo in the history of superheroes,were written as sympathetic and actually endearing characters on Smallville, yet their essence as overeager and slightly bungling heroes was preserved.

They were big fans of the Blur who inspired them to use their powers for good. Naturally they had to be brought under control for the sake of the Blur’s reputation, but there was a great scene between the nascent heroes and their idol.

The Blur gave one of those speeches that suited the Superman archetype. He cautioned the twins to be more careful, but commended their heroism. Clark had truly become a hero that other heroes admired and respected.

Always a supporter of the hero, Martha Kent made an unannounced, but welcome visit to the farm and brought Perry White with her as a surprise love interest. This shouldn’t have worked, but for some reason it did. Maybe because Annette O’Toole (Martha) and Michael McKean (Perry) are married in real life. In any case they sold the pairing. On the other hand Martha being the Red Queen, a feared rogue operative, was a bit harder to swallow.

Don’t get me wrong, I definitely believe Martha would do anything to protect her son, even becoming the Red Queen, but Martha’s heroic turn was symptomatic of something that began the previous season with Lana and her tin can fusion super suit. For whatever reason characters had to have the label “hero” bestowed upon them this year. Hopefully next season they’ll leave that to the guy with the “S” on his chest.

Subverting the Hero

I like Oliver Queen, AKA Green Arrow, and I have from the start, but last year and this year he has done some plotting behind Clark’s back. It was time for a comeuppance.

The solution, which I don’t think was entirely deliberate, was to have Oliver dive into a bottle of booze as his way of dealing, well not dealing, with his guilt over ‘killing’ Lex Luthor the previous season. Oliver also began to pine for ex-lover Lois Lane.

Fortunately for Clark, or unfortunately for Oliver depending on your point of view, Lois was steadfastly loyal to Clark and so the Emerald Archer rebounded to Lois’s cousin Chloe practically in the very next episode.

Yep, Jimmy Olsen’s widow. Not only that, but Chloe called all the shots in their “no strings attached” sex-only relationship.

If that didn’t erase Oliver’s old swashbuckling image, then certainly wearing matching plaid bathrobes at a country bed & breakfast knocked him off the Wheaties shelf and landed him squarely next to the Special K. The one with yogurt clusters.

Admittedly the relationship was a bit tacky given that Jimmy hadn’t even been dead half a year, but apparently Chloe missed sex.

Speaking of Ms Sullivan, the reason she made the “Subverting the Hero” section is because her control freak nature and delusions of grandeur ran amok this season.

She had surveillance equipment everywhere and tapped into the city and the nation’s surveillance systems, bugged Clark’s home, put tracking devices on members of the JLA, at least on Oliver, and bugged documentation she created for the Kandorians.

Clark became the main target of her contempt and resentment. Chloe might’ve felt justified because Clark ran off to be the lone Kryptonian for three weeks right after Jimmy’s funeral, but considering her relationship with Davis Bloome last year while Jimmy was still alive, there seemed to be no real sincerity in terms of her grief.

However, it did create a feeling of déjà vu. In season 8′s finale, which aired May 14 2009, Chloe reconnected with Jimmy and they got all lovey-dovey. Then she told Davis Bloome, a serial killer she had run away with, that she only thought she loved him. This year on May 14, 2010, Chloe told Oliver she loved him. At least she’s predictable, but her character in general was cold, condescending, judgmental, brittle, and she stole from the guy she was sleeping with, which earned her the Lana Luthor chutzpah award. She was also given an ill-fitting hard ass mantle punctuated by dialogue like, “I didn’t realize you were Zod’s little bitch.”

Tess Mercer was the “bitch” in question and for some odd reason Chloe and Tess were paired up at least three times this past season, but only after Chloe and Oliver hooked up.

All I could gather from their scenes together is that Tess, another one of Oliver’s exes, was there to envy Chloe’s place in Oliver’s life and to regret how she never meant as much to him.

This came across as utterly unbelievable, especially considering Tess’ negative opinion of Oliver and the fact that he cheated on her.

Ah, poor Tess, she was all over the map in season 9. She betrayed humankind to Zod because she believed he could save humankind. Figure that one out. Tess was also the victim of a remarkable amount of violence, even from Clark, which is unacceptable.

On the other hand, yeah, the one with the weapon, she’s no slouch when it comes to delivering punishment. In the finale she hammered on Zod’s face with a cool kryptonite knuckle duster. But alas, Zod’s heat vision gave him the advantage of distance when delivering a fatal fiery blow to Tess while he deftly avoided the kryptonite.

Fear not, the finale ended with an old woman going into Tess’ hospital room after the doctor declared her dead. There are hints and spoilers as to whom she might be, but I won’t post speculation here.

Hating the Hero

The infamous General Zod had already made his debut on Smallville at the end of season 5 when he possessed the body of Lex Luthor. He was then dispatched back to the Phantom Zone by Clark in the season 6 premiere. Remember? Good, now forget it.

This year the clone of Zod — Major Zod — and many of his followers from Kandor, were brought out of stasis by Ms Bipolar herself — Tess Mercer.

However, the Kandorians arrived with no super powers due to Jor-El introducing blue kryptonite into the cloning process, which rendered them basically human. Trying to obtain super powers became a critical point for Zod throughout the season because he feared his followers would defect and give their allegiance to Kal-El, who offered them new lives and identities on Earth. Zod also became extremely envious of the adoration the humans felt for Kal-El’s public hero persona The Blur.

When Zod wasn’t the focus, there was a veritable rogues’ gallery of villains to take up the slack. Toyman returned for some unfinished business, and Metallo, one of Superman’s formidable enemies, debuted this season with an interesting and sympathetic back story. Silver Banshee’s debut wasn’t as auspicious, but it’s nice to have Superman’s vulnerability to magic addressed. Icicle was launched at the JSA by Checkmate’s Amanda Waller, who believes herself to be a good guy, but her tactics, motives and prejudices proved otherwise. Also in a separate chess club was Max Lord who simply wanted to annihilate all meta beings. And though not from the myth, I enjoyed the smarmy crooked D.A. Ray Sacks.

Romancing the Hero

Lois fell deep and hard for both the farm boy and the public hero, which I would’ve thought impossible without Clark having two visible personas, but the writers pulled it off, so kudos to them. Lois’s unique relationship with Clark and the Blur, which recreated the traditional triangle composed of Lois, Clark and Superman, has no parallel with any of the other relationships Clark has ever had on Smallville.

Chloe and Lana, for example, both found out Clark’s secret before he had the public hero persona. They accepted his alien origin when they found out the truth about him, but that’s not the same as falling for both sides of him independently and equally. That’s an important distinction and why it touches Clark as deeply as it does.

Perhaps the most amazing thing about them as a couple is that they’re fun. Not just fun to watch, but obviously they are having fun together. This is no small feat considering how buttoned down and often unhappy Clark has been over the years. And it’s not just Lois having a positive impact on Clark. He is having a positive impact on her as well.

Clark Kent has been the only man who has been able to reel Lois in when she is tempted to cross the wrong lines while pursuing a story, or when picking the wrong person to become confrontational with.

This was a very subtle addition to their relationship. There were no pedantic lectures, or obsequious pleading. In fact it was mostly physical. In the episode Charade, Lois started to angrily charge after Franklin Stern, the Daily Planet’s owner and fill-in editor, but Clark winged a restraining arm out to block her even before she made a move because he knew how she would react. That was a smart way to convey how well Clark has come to know Lois. It also illustrates how much Lois has come to respect Clark’s judgment because, let’s face it, if she didn’t, he’d be chasing his head down the hall.

And finally, debuting without the assist of red kryptonite, was Clark’s sexual assertiveness. He genuinely found his testosterone this season and repeatedly wanted to let Lois know exactly that.

His new found sexual aggression was an offshoot of his general growing confidence at tackling goals, and he definitely wanted to “tackle” Lois. She seemed to be the one who brought it out in him from the beginning, even way back when they swapped pointed barbs instead of kisses.

Heroes and Zeroes

As with any previous season, season 9 delivered both hits and misses, though this year seemed to have the most cohesive overall thematic story line of any season produced thus far. It also created a sense of location with function. In the past the various locations merely existed for compartmentalized blocks of dialogue, or to speed up plot exposition as when Clark visited Chloe at the Daily Planet to take advantage of her hacking skills. Now, thankfully, the Daily Planet actually functions as a newspaper and Clark goes there because (gasp!) he’s a reporter.

Other perks and fun bits this season included Lois finally attending a monster truck rally, John Jones briefly appearing in his true Martian form, and Dr. Emil Hamilton, the show’s chief physician and scientist, displaying a laid back sense of humor in the episode Persuasion. Surprisingly, falling on the “zero” side was Zatanna.

She was depicted as a stereotypical predatory female who needed to steal another woman’s man for whatever reason. She even stooped to putting a spell on Clark to seduce him away from Lois. It’s not just the cliche of such a scenario, it’s that Zatanna is a powerful fascinating character who shouldn’t be wasted on a trivial home-wrecker subplot.

No doubt Zatanna was misused partly so that Clark could prove, by breaking the spell, that his bond with Lois was stronger than her magic. Something similar, without the magic, was done with Lois when she helped John Corben (Metallo) escape from Tess’ lab in Upgrade. He became smitten with Lois and told her how he felt. Lois was quick to point out that she was with someone and that he was “it” for her.

Hopefully this upcoming season, their final season, they won’t need the crutch of third parties to prove how much they love each other, they’ll just tell each other. That would not only be refreshing, it would raise their grade average.

Lois Lane is Captain Kirk

July 19th, 2009

When Obsessions Collide

It is not an exaggeration to say that I have loved Superman all my life. In fact, Superman seems to go beyond my cognitive memory. He was always there and I have no recollection of learning about him, no more than most of us remember learning about a table or chair, but as a child, Superman was just as real to me as that table and chair.

Every Superman fan has a first Superman and George Reeves was mine. Yes, I’m an old fart. I was a kid in the 1960s and a teen in the early 1970s, but the Adventures of Superman debuted before I was born so I was thankful reruns existed even in the Stone Age of my childhood. I was glued to my TV set listening to the long harp glissando intro as the camera zoomed past unnamed planets and a comet exploded spelling out the title of the show.

Like the other kids in the neighborhood I wore a towel around my neck and “flew” across the front yard with my arms outstretched. Sometimes I’d stumble over one of my mom’s rose bushes as a reminder that not only was I not flying, but I wasn’t invulnerable either. Read the rest of this entry »

Smallville’s Mid-Season Grade

March 5th, 2009

report_card

Technically the midway point for most television shows these days is episode 11, at least assuming a TV series gets a full 22 episode season. If I were to give Smallville a grade for its first 11 episodes, I would give it a solid B mark. Some episodes were weaker and others were stronger, as is the case with any TV show, but averaging them together Smallville did very well and deserved no less than a B for the first half of the season.

However, Lana Lang’s return arc began in episode 11 and so I felt it necessary to include her arc in the mid-season assessment. To say that the inclusion of her arc throws the grading curve for a loop would be an understatement. It was such a radical departure from the progress the season made to that point that a teacher would ask the parent if the promising student was having trouble at home, or perhaps had started dabbling in drugs. Read the rest of this entry »

Smallville Might be Worth a Second Look (Spoilers)

September 1st, 2008

Smallville will begin its eighth, and hopefully last season, on September 18 and there will be some noticeable changes. I say ‘hopefully’ because in seasons past the show’s momentum would bog down and sometimes even regress when the producers were guaranteed another year.

In the new season some cast members will be returning, some will be missing and still others will merely make guest appearances to tie up dangling plot lines from last year. There will also be new cast members, if only temporarily, and a few of them will have familiar names, at least for comic book fans.

With a new team of show-runners replacing the departed Gough and Millar, there is an opportunity to resuscitate the ailing series and give it an epic sendoff. This doesn’t mean the previous show-runners wouldn’t have given it an equally grand departure, but they had such an entrenched view of their endgame that many plot lines just puttered around aimlessly waiting for the payoff.

Read the rest of this entry »

A Glimpse of the Future

April 30th, 2008

This Thursday, May 1, SMALLVILLE takes a look at what the world would be like if Clark had never come to Earth. In what might be titled ‘It’s a Worrisome Life’, Clark gets the George Bailey treatment via his Kryptonian father Jor-El. It would seem at first glance that his friends are better off. Lana is married rather than in a coma and Chloe is engaged to be married because she actually had a social life in a future where she wasn’t Clark’s hacker handmaiden.

However, not all is as rosy as it seems. Lois, though an intrepid reporter, is in handcuffs and has to be rescued from Lex Luthor’s minions. Oh, and Lex made it to the top, he’s the president of the United States and Brainiac is his right-hand man. If that wasn’t bad enough, Clark’s own cousin Kara was raised by the Luthors. Here’s a director’s cut of the episode.

Who Really Inspired Lois Lane?

November 23rd, 2007

Most Superman fans know that Jerry Siegel’s wife Joanne was the model for how Lois Lane looked in the early comics, but Lois’s attitude and personality were often mistakenly attributed to a classmate from Siegel and Shuster’s Cleveland high school.

However, Siegel himself set the record straight with a letter to the editor of Time Magazine, a publication that also printed the erroneous classmate story. Siegel stated that a fictional reporter named Torchy Blane, featured in a series of B movies from the 1930s, was his true inspiration

Glenda Farrell was the actress who portrayed Torchy in the bulk of the movies, but an attractive brunette named Lola Lane (above), who obviously inspired Lois’s name, played her in one of the better films.

Read the rest of this entry »

You said it

October 10th, 2007

Since, as mentioned, I turned off the comment feature due to way too much spam getting through even with filters, I asked you to send me your comments to my e-mail address at guardian@redboots.net and you did. Thanks!

I’m going to post and comment on some of your e-mail. I’m not posting all of the e-mail since many are simply one liners like “I agree” or “I disagree” or “Loved your post” type of comments. Believe me, I love getting them, both positive and negative, but in this column I’ll be addressing comments, questions, critiques, etc. so let’s get started.

Read the rest of this entry »

A Many Splintered Thing

August 28th, 2007

Now that Smallville’s 6th season is over and filming has begun on the new season, it’s clear that somewhere midpoint last year the show made a deadly shift in direction.

The first half of the season averaged nearly 5 million viewers, while the “back 9,” as the remaining episodes are referred to in TV lingo, could barely come close to 4 million. What happened? Read the rest of this entry »

Superman: DOOMSDAY

July 8th, 2007

Behind the scenes of the animated movie

Translating the best selling Death of Superman saga into a 70 minute animated movie is a daunting task. Of course in that time frame not everything will be covered, which might upset purists, but unless you have the money to produce a story on a Peter Jackson scale, that’s inevitable.

The other purist constituency who might quibble over details would be fans of the Superman animated series, disappointed that different voice actors are being used and the look of the characters will be different. However, for the rest of us, this should be a very intense and entertaining movie. Read the rest of this entry »